August Newsletter
Greetings from
Porter's Camera Store!

10 Tips For Better Outdoor Photos

1. SOMETIMES SOFT IS BETTER THAN SHARP
One technique that adds interest to photos is to have a portion of the subject matter sharp, while other areas in the picture are blurred due to movement. For example, try shooting a log or stone in a stream with the water blurred by motion or a sharp tree surrounded by wildflowers waving in the breeze. This type of photography requires the camera to be mounted on a tripod or other firm support and the camera set to a long exposure time so the movement registers as a blurr. You’ll need to take control of the shutter speed, so select aperture-priority auto exposure or metered manual to select a show shutter speed, then select a small lens aperture (big f-number). Experiment a little. The instant replay of digital is a great benefit for experimenting with different techniques like this.

2. FOCUS ATTENTION WITH SELECTIVE FOCUS
Just as selective softness due to movement adds attention to your subject, so does selective focus. In this instance, a wide lens aperture (small f-number) is used so the background goes out of focus. For example, leaves and branches that are sharp may draw attention away from your outdoor portrait subject. By using a longer telephoto lens (which inherently has less depth-of-field) and a wide lens aperture, the busy background foliage will become soft and not fight for attention with the subject.

3. IMPROVE YOUR TRIPOD FOR FREE
Adding mass to your tripod will enhance its stability. If you have much weight in your camera bag, using it for this purpose is ideal. Just drape your camera bag strap around the tripod column and let the bag hang. Some tripods have a hook on the bottom of the column that provides a good anchor point for the bag handle, too. This technique won’t work if it’s windy, though. If the bag blows in the wind, it will cause more camera movement, not less.

4. ANOTHER WAY TO IMPROVE TRIPOD SHOTS
Even if you carefully press the shutter release when your camera is mounted on a tripod, you may cause some movement that degrades sharpness. Depending on your camera’s remote control capabilities, use a cable release, remote control cord, or wireless remote control to trigger the camera. If you don’t have any remote capability, use the camera’s self-timer instead of pressing the release button. This won’t work for pictures that require the shutter to be tripped at the peak of action, but it will improve shots that don’t demand such careful timing.

5. IMPROVE YOUR SUNSET SHOTS
Sunrises and sunsets provide great photo opportunities. To make these shots even better, include other elements into the foreground. For example, a body of water reflecting the sky enhances the shot, as does a city skyline, bridge, building or other object silhouetted against the sky.

6. ANOTHER ANGLE ON SUNSET PHOTOS
If you plan ahead for a perfect sunrise or sunset picture and it turns out to be less dramatic than you anticipated, don’t give up. Just turn 180 degrees and look at what the warm color and low angle of the sun is doing to nearby scenery, buildings, objects or people. Sometimes that gorgeous light will turn an ordinary shot into a photo with knockout impact.

7. THE RIGHT TIME FOR NIGHT PHOTOS
Available light shots taken at night, with the shutter open for many seconds or even minutes, are fun to create. The streaks from moving car lights and other unusual characteristics add a surreal feel to the photos. But the best time to take night shots is usually at twilight, when the light is dim, but there is still some color in the sky.
8. PAINT WITH LIGHT
Painting with light is a technique that studio product photographers have used for decades. To do this, the light source is moved around a stationary product while the shutter is open on the tripod-mounted camera. The lighting effect is much softer and shadows are controlled to a greater degree than is possible with one light alone. The same thing can be done outdoors at night, using multiple bursts from a flash unit or a powerful battery-powered light to illuminate your subject.
9. DON’T BE A FAIR WEATHER PHOTOGRAPHER
It’s almost human nature to put your camera away when the weather turns bad, but don’t. The mood of a chilly morning with fog lifting off a stream or pond and the mystery a foggy evening creates with disappearing background objects can’t be duplicated on a sunny afternoon. How about the drama an advancing storm creates, with areas lit by sunlight while dark clouds on the horizon add an ominous background? Celebrate the wide range of visual opportunities nature gives us by getting out there with your camera. But take appropriate precautions if the weather turns dangerous and don’t risk your camera or yourself.
10. CONTROL EXTREME CONTRAST
Compared to the broad exposure range of color print film, a digital sensor has a short range and highlights especially may burn out and lack detail. One way to control this is to use a graduated neutral density filter on the lens to darken the bright area of the scene while the remainder is unaffected. This filter will darken a bright sky and keep it from washing out without darkening the lake in the foreground, as one example. Another way is to mount a digital camera on a tripod, take the same photo twice but at different exposures. One shot will be at normal exposure, the second at a darker exposure to tone down the bright sky. In Photoshop, bring the best parts of both images together by using a Layers mask or the Eraser tool.

We Have A Winner!

Congratulations to Laura Clay Ballard for winning the
Porter’s/Tamron July 2007 Monthly Calendar Photo Contest! Lori’s winning entry in the “Red, White and Blue” category is ready for downloading as a 2007 monthly calendar at www.porters.com.

Visit our web site and check out the monthly themes for the rest of this year and send us your best shots!



WHAT’S NEW AT PORTER’S
All of the products mentioned are now in Porter’s Online Store at
www.porters.com and will be in
the forthcoming 84A Catalog.

LEICA C-LUX 1 DIGITAL CAMERA
Compact and elegant, the C-Lux 1 sports a 3.6X zoom lens equivalent to a 28-102mm that covers a wider field of view than most compact digital cameras. The optical image stabilizer reduces camera movement blur for sharper pictures. Viewing your images on a television is enhanced with choices of 4:3, 3:2 and 16:9 (HDTV) picture formats. See the Leica C-Lux 1 (030324) at Porter’s Online Store for
$495.99.

PENTAX MANUAL-FOCUS 80-200MM ZOOM LENS AT SPECIAL SAVINGS
We just made a special clearance buy on a limited quantity of the Pentax manual focus SMCP-A 80-200mm f4.7-5.6 Zoom Lens. While designed back in the days of manual focus cameras, it fully couples to the auto-exposure system in all Pentax SLR cameras, both 35mm and digital. So it’s an excellent lens for a K1000 or ZX-M 35mm camera. If you don’t mind focusing manually, it otherwise works great on all Pentax AF 35mm SLRs and digitals including the *istD series and the new K100D. See the Pentax 80-200mm Zoom (097163) at Porter’s Online Store for only
$49.99 while supply lasts.

SALE PRICE ON PACK/5 KODAK PK24 SLIDE FILM PROCESSING MAILERS
We’re overstocked on Kodak PK24 Prepaid Processing Mailers for 35mm slide film. Regularly $10.29 each, we’re selling a special pack of 5 PK24 mailers for
$34.99 (417001) at Porter’s Online store.

SONY ALPHA A100 DIGITAL CAMERA
When Konica Minolta exited the camera business a few months ago, they turned over the designs to the Maxxum digital SLR cameras to Sony. The first Sony-badged Maxxum SLR is here and it’s called the Alpha A100. It accepts Maxxum-type lenses and flash, good new to Maxxum owners who want to upgrade to a new body. The Alpha A100 has an awesome 10.2 megapixel CCD, Super SteadyShot image stabilization and EyeStart Automation that restarts the camera from sleep mode when you bring the camera up to your eye. See the Alpha A100 on page 2 of Porter’s 84A Catalog and at the Online Store. The A100 body (030322) sells for
$899.99, or $999.99 with the DT 18-70mm f3.5-5.6 Zoom Lens (030323).


FUJI PREMIUM PLUS INKJET PAPER
While there are many brands of inkjet photo paper, Fuji’s expertise in ultra thin layer coating technology from manufacturing film gives them a step up in making high quality inkjet paper. This paper combines the paper base from conventional color photo paper with coatings that enhance the ink spread for sharper images with a glossier surface. See it on page 21 of Porter’s 84A Catalog in a 4x6”, 60 sheet pack for
$15.99 (310889), 8-1/2 x 11” 20 sheet pack for $9.99 (310890) and 8-1/2 x 11” 100 sheet pack for $41.99 (310891).



PORTER'S DIGIPRINT WEB PRINTING SERVICE

You have some great pictures taken with a digital camera. Don't let them be forgotten, hidden away in your computer and seldom viewed. Have them printed on REAL photo paper, suitable for framing or adding to your photo album. No need to send us your camera memory card, just upload them to Porter's DigiPrint Processing Service at www.porters.com.
• Sizes from 3-1/2 x 5 to 8 x 12"
• Choice of glossy or matte surface
• Pictures burned to CDs
• Very reasonably priced
• Invite some of your friends and family to view your uploaded images and order their own prints
• Easy step-by-step ordering with clear instructions
• Printed on conventional Kodak color paper for vivid colors that will look great for decades
• Full details at www.porters.com.
Click on "Digiprint Processing" on the home page to learn more about this exciting way to improve your digital photography.
SHOW AND SHARE!
Try... Online Photo Albums to the processing area at www.porters.com.

Take your pick of four different album plans—
FREE for 90 days, with 128 megabytes of storage and 10
password-protected photo albums
• $9.99 per year, with 256 megabytes of storage, 20 photo albums and access to members-only discounts
• $69.95 per year, with 512 megabytes of storage, 20 photo albums,
hi-res downloads, access to members-only discounts and your choice of two free photo classes at Porter’s University OR a free 512MB memory card

REBATES AND PROMOTIONS TO $AVE YOU MONEY!
Application forms will be included with purchases for all applicable items.Instant rebates are deducted from your purchase price. All other offers are direct to you from the manufacturer after the time of purchase.
Item
Order Number
Rebate Amount
Purchase By
Pentax *istDL body w/Pentax DA 18-55mm f3.5-5.6 Lens 030243 $100 Rebate
Download Rebate Form
October 11, 2006
Pentax Optio M10 Digital Camera 030309 $30 Rebate
Download Rebate Form
October 11, 2006
Pentax Optio T10 Digital Camera 030307 $30 Rebate
Download Rebate Form
October 11, 2006
Pentax DA Zoom 50-200mm f4-5.6 ED Lens 090969 $50 Rebate
Download Rebate Form
October 11, 2006
Pentax DA Zoom 16-45mm f4 ED/AL Lens 090892 $100 Rebate
Download Rebate Form
October 11, 2006
Tamron AF18-200mm XR Di-II Zoom Lens 090925
090926
090927
090928
Free Travel Book
Download Rebate Form
And FREE Tamron Camera Bag!
August 31, 2006
Tamron AF11-18mm Di-II Zoom Lens 090964
099009
099010
$30 Rebate Download Rebate Form August 31, 2006
Tamron AF28-300mm Di XR Lens

$30 Rebate
Download Rebate Form
and Free Tamron Camera Bag

August 31, 2006
Tamron AF55-200mm f4-5.6 Di II Macro Zoom Lens 090972
090973
090974
$30 Rebate Download Rebate Form August 31, 2006
Tamron AF28-75mm f2.8 Di Zoom Lens 090871
090872
099015
099016

$30 Rebate Download Rebate Form
August 31, 2006
Tamron AF200-500mm Di Zoom Lens 090907
090908
090909

$30 Rebate Download Rebate Form
August 31, 2006
Tamron F17-35mm f2.8-4 Di Zoom Lens 090887
099011
099012
099013

$50 Rebate Download Rebate Form
August 31, 2006
Tamron F19-35mm f3.5-4.5 Zoom Lens 090835
090836
090837
$30 Rebate Download Rebate Form August 31, 2006

Copyright 2006
Porter's Camera Store

P.O. Box 628
Cedar Falls, IA 50613-0028
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